As a sample movie for a science-fiction cinema after "2001" is A. Andrei Tarkovsky in 1972 completed film "Solaris" in front. The resulting film can in the Soviet Union both as a "response" of the bloc to "2001" and its status as a serious meditation be understood under the terms of the science-fiction cinema, but also in some ways also a counter-proposal. With "2001" public "Solaris" is that it is designed to be aesthetically sublime experience and makes use of the SF-genres to reflect on philosophical questions. One of the most famous sequences in the film, however, can also be a deliberate counter-speech understanding in the direction of Kubrick: The minutes long, from Ichperspektive recorded journey through Tokyo tunnel system seems the Star Gate sequence in Kubrick's film of the same though, but has a sedative and demystification: by by their banal (and discouraging) the object of any utopian and aesthetic level of experience in Is denied, it is positioning itself antagonistic to the end of Kubrick's film. Other problems: characters are often filmed from a slightly elevated perspective than they would to their proper place - assigned - the earth. Space is in Tarkovsky's film is not a place of opportunity and of foreign experience, but it represents a gaping void, the will of the anthropocentric man is only to impose themselves. As he tried to escape into space, solves all the human bonds of Earth, his proper department.
Unlike Kubrick people to learn about their biography is almost nothing, the people in "Solaris" straight saturated with memories, ponder on the melancholy dirges.
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