An overview of the U.S. film history up to the 50's gives us an insight into the workings of the classical Hollywood, which came after 1948 in a first crisis. After this year has been the studio system with the monopoly over all three regions of the film industry (production, distribution and screening) crushed by a court order, led other aspects such as urbanization and the rise of television as a new mass medium to a break in the U.S. film industry.
In Europe, during which sparked debates about the 50 years, resulting in the auteur theory in France. After the German occupation and the related ban on imports of American movies, then came a wave of Hollywood films in France and caused a new form of intensive engagement with the U.S. film. Alexandre Astruc (* 1923), Francois Truffaut (1932-84) and other developed mainly in the Cahiers du Cinéma the idea of cinema as a personal expression of the artist. In the United Kingdom and the United States attacked critics like Andrew Sarris (b. 1928), the ideas and questioning the roles of director as the central artist. Overall, the more regressive, romanticized Künslter idea of who carries himself in his work, would find that execute Page debates, however, led to the emergence of the genre include theory in the USA of the 70s.
Barry Keith Grant defined the genre as "categories of kinds or types of artistic or cultural artifacts with certain elements in common," as items he calls "subject matter, theme, narrative and stylistic conventions, character types, plots, and iconography. " The biggest problem with genre definitions, is that different genres are determined according to different criteria. For example, can the Western rather the setting or narrative elements define the horror film However, under the intended effect on the viewer. In addition, genre films are never pure genre films, but mixtures of different genres and their elements.
While genre films in the Studioära were to serve, produce easy and fast films, which applies to the expectations of the audience (itself with typical genre elements and of recurring actors) met, today, to break conventions of the genre or conscious genre mix .
The Great Train Robbery (Edwin S. Porter, U.S. 1903) is considered the first Western
Regarding Science Fiction, we note that it is probably the one genre that is most dependent on the link with others. Depending on how broadly or narrowly the term is taken, it is difficult to find common elements. What is Science Fiction, can probably be best to say with Damon Knight:
"science fiction is what we point to when we say it."
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